Riefenstahl
Vincent Productions
2024
Bildgestaltung / Grafikaninmation
115min
Director: Andres Veiel
Montage: Stephan Krumbiegel, Olaf Voigtländer, Alfredo Castro
Music: Freya Arde
Archive Productions: Monika Prischl, Mona El-Bira
Archive Research: Christiane Caemmerer
Producer: Sandra Maischberger
A Vincent Productions Film
AThis project provided the rare opportunity to personally handle (with gloved hands) nearly all the archive material that appeared in the film. This included 8mm, 16mm, and 35mm film reels, tens of thousands of photographs, and both handwritten and printed documents, spread across three state archives in Berlin.
This material not only served as a witness to a very dark period in history but had also been in the lifelong personal possession of one of the most controversial filmmakers in history, making this experience truly unique and occasionally unnerving.
Continuing the exploration of photographs as singular three-dimensional objects in their own right, as seen in previous works for the exhibition Unboxing Photographs and Light Surfaces, it was crucial to retain the haptic qualities—such as traces, markings, and residue—on both stills and film rolls. This approach aimed to emphasize that these were specific prints of films and photographs that had belonged to Reifenstahl, rather than sanitized versions from picture libraries. Filming off an analogue Steenbeck editing table we could slow down and analyse the film for itself and give the footage another dimension drawing attention to its own reality as a piece of film, before returning to the clean full screen version for when we wanted to quote the films directly, and focus again on the films images and content.
Lenis Kopie von Olympia (1938), Kopie vermutlich ca 1970er Jahre, Deutsche Kinemathek
1932 Nitrat Kopie von Das Blaue Licht, Deutsche Kinemathek
Der Heilige Berg, abgefilmt vom 35mm Steenbeck durch Prisma
Making of: rausgeschnittene Szenen von der Nachkriegsfassung von Olympia
Making of: original Klebestreifen einer Arbeitskopie eines Vorspanns von Olympia
Making of: Abfilmen von Filmstreifen beim Zurückspulen TdW
Fotografieren von LR Filmdosen in der Deutschen Kinemathek, Berlin
Making of: Bildkomposition in echt, aus Kiste 1113/14 Familie
Monika Preischl im Archiv des Fotomuseums, Berlin.